1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | Levitation | Self-Portrait with Hand to Cheek (mk12) | Water sprites i | Mother with Two Chilren III (mk12) | Embrace |
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Adriaen van de Venne
Delft 1589-The Hague 1662 Dutch painter, draughtsman and poet. De Bie's account (1661) is the only known source on van de Venne's youth and training. He was born of 'worthy' parents who had fled to Delft from the southern Netherlands to escape war and religious strife. Inspired by his early study of Latin to become an illustrator, he was partly self-taught but also received instruction in painting and illumination from the otherwise unrecorded Leiden goldsmith and painter Simon de Valck. His second teacher, Hieronymus van Diest,
William Tomkins
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ALTICHIERO da Zevio
Italian Gothic Era Painter, ca.1330-1390 Altichiero da Verona (also called Aldighieri da Zevio; c. 1330 ?C c. 1390) was an Italian painter of the Gothic style. A follower of Giotto, Altichiero is credited with founding the Veronese school. He worked in Verona and Padua ?? works by him survive in the church of Sant'Anastasia in Verona and in the basilica of Sant'Antonio and the Oratorio di San Giorgio in Padua (where the credit for the work has been generally shared with Jacopo d'Avanzi, about whom little is known). Altichiero was probably born somewhere near Zevio. He became an important member of the della Scala's household, and around 1364 painted a series of frescoes based upon Flavius Josephus's The Wars of the Jews at the della Scala palace of Sala del Podest??. There are frescoes by him in the Basilica of Saint Anthony of Padua. In conjunction with D'Avanzo Veronese, he frescoed the chapel of St. James for which he was paid 792 ducats. The first seven frescoes on the life of St. James the Elder were by Altichiero.